In honor of the current special theme for Gyroscope Review, “The Crone Issue”, let’s talk a bit about the theme. When we put out the call, we decided to limit it to an underserved section of the population, women and those that identify as women over the age of 50. It’s around that age that women really start to disappear in society. They are not valued any longer. Having outlived their usefulness as mothers or sexual objects, they are discarded and disregarded. From the heartfelt cover letters we are getting, it’s apparent older women are eager to have an opportunity to submit, and disappointed that this kind of opportunity doesn’t present itself more often. Older women need to be include, invited, and embraced.
Older women contain a wealth of wisdom. This is what we want to celebrate. Crone has been turned into a derogatory term. Let’s take it back. The dictionary defines a crone as ‘a cruel or ugly old woman’. The dictionary was not written by the enlightened. We prefer the more modern take, as identified in Wikipedia. “In New Age and feminist spiritual circles, a “Croning” is a ritual rite of passage into an era of wisdom, freedom, and personal power. Some feminist authors have defined the crone archetype in a positive light, as a powerful and wise old woman.”
By taking back the word Crone, women are recognizing the power, wisdom, and abilities of aging. We want work that celebrates the ideas of crone: wise woman, matriarch, post-menopause, grandmother, elders with strength and experience. Tell your story. Tell what has been digging at you the past 50 years. What are you not going to stand for anymore? What is your source of power and strength, be it quiet or fierce?
Women have a wealth of life experiences to share with others. Remain silent no longer.
Here is a poem that resonates with the theme of Crone.
by Marge Piercy
It happens in an instant.
My grandma used to say
someone is walking on your grave.
It’s that moment when your life
is suddenly strange to you
as someone else’s coat
you have slipped on at a party
by accident, and it is far
too big or too tight for you.
Your life feels awkward, ill
fitting. You remember why you
came into this kitchen, but you
feel you don’t belong here.
It scares you in a remote
numb way. You fear that you—
whatever you means, this mind,
this entity stuck into a name
like mercury dropped into water—
have lost the ability to enter your
self, a key that no longer works.
Perhaps you will be locked
out here forever peering in
at your body, if that self is really
what you are. If you are at all.
“Dislocation” by Marge Piercy from The Crooked Inheritance. © Alfred A. Knopf, 2006.